Friday, September 7, 2012

Top Ten: Dystopian Movies

Dystopian futures are a really popular trope in cinema, until I tried putting this list together I didn't realise that a lot of my favourite movies can be classed as having dystopian themes and if you take a look at the Science Fiction chapter of my DVD guide you'll find the majority of them are set in a dystopia of one kind or another. To avoid repetition this Top Ten will try to skip selecting the same old faces and attempt to offer ten films yet to be mentioned during dystopia week or previously at any length here on blahblahblahgay.


Gattaca (1997) Dir. Andrew Niccol


Back To The Future Part II (1989) Dir. Robert Zemeckis


Planet of the Apes (1968) Dir. Franklin J. Schaffner


A Scanner Darkly (2006) Dir. Richard Linklater


Dark City (1998) Dir. Alex Proyas


The City of Lost Children (1995) Dir. Marc Caro & Jean-Pierre Jeunet


Delicatessen (1991) Dir. Marc Caro & Jean-Pierre Jeunet


Wings of Desire (1987) Dir. Wim Wenders


Akira (1988) Dir. Katsuhiro Ôtomo


Star Wars Episode IV - A New Hope (1977) Dir. George Lucas


What's your favourite dystopian movie? Should I have written something to accompany these screenshots? Is Star Wars Episode V a better example of a dystopia from the Lucasfilm franchise? Leave your comments below.

Thursday, September 6, 2012

Book Review: The Death of Grass by John Christopher (1956)

The world-famous novel of the ultimate famine!

The Death of Grass by John Christopher

My rating: 4 of 5 stars

Essential Must-Read Seemingly Forgotten Dystopian Classic

Blurb: The Death of Grass is an entirely original kind of science-fiction - it is not about space-travel, time-travel, or mechanical men. It recounts the terrifying changes on the face of the earth when the balance of nature is upset - and it takes place not in the future but now.

The characters are middle class people who live serenely until the grass begins to die - upon which their personalities begin imperceptibly to change with the changes that creep over the landscape. The fearful national policies and immediate personal dangers they are faced with are horrible in their impact, and in the dangerous obstacle race for safety (and for life itself) the reader feels himself to be personally and desperately involved.


Thoughts: Recommended to me by the Goodreads recommendations engine during one of the brief periods when it was working, I was initially drawn to the wonderful premise of a simple "what if" science fiction question, namely in this case "what if a virus kills all forms of grass worldwide?" Grass meaning wheat et al not just the wonderful stuff used as a playing surface for tennis, cricket and croquet. It's a premise that would also later go on to form the basis of the brilliant award winning dystopian post-(post?)-cyberpunk thriller The Windup Girl.

But this is very definitely a post-atomic approach towards the genre, with a message that could be picked up by Greenpeace and hippies the world over even today and used as a warning against the way we are destroying our planet. This novel recounts the terrifying changes on the face of the earth when the balance of nature is upset - not at some nebulous date in the future but right now or the now of 1956 at least. Perhaps a re-issue from Al Gore on 200% recycled paper is required?

The story starts off with a global disaster and slowly becomes more and more personal, with a denouement focussing on one barricaded village and a handful of people. The characters are normal people, described in the blurb as middle class, with peaceful lives until the virus begins to take hold and food becomes scarce. In the beginning they make a point of being proud of the British attitude towards hardship, the famous Dunkirk spirit etc, but the predicament slowly changes all of them in irrevocable ways. They must undertake a journey of ever increasing hardships as society falls apart thanks to weak governments (things haven't changed much since 1956 huh?) and the panic of the masses leading to riots (as seen in London just last year but with the desire for new shoes and TVs replaced by a need for food.) And as a reader you can't help but take the journey alongside them thanks to the quality of the writing. Sure it's easy to judge these people for the decisions they make but there's a power at work in Christopher's writing that puts you in the band of survivors and suddenly it's harder to disagree with the man leading you to safety.

I'm not sure how much it actually helped me to enjoy the book but Brief Encounter is one of my favourite movies of all time, being able to imagine Trevor Howard and Celia Johnson as the protagonist Johnny and his wife Ann was an excellent bonus, even if just as a way to understand the speech patterns peculiar to the British middle classes of the era.

It's easy to imagine the stark landscape shorn of all grass, not least because of the volume of post-apocalyptic movies that have been released in recent years. The Book of Eli has an overall colour tone perfectly suited to a grass-free planet but features human attrocities in explicit detail, something Christopher only hints at in this book. It's much better for that too, bad things happen but the prose only really "arrives" in the aftermath and studies the reactions of these ordinary decent people to extraordinary events.

I'm left thinking about The Road and how bleak it was, John Christpher comes close but without being so overt and rubbing your well-fed, happy face in to it. In comparison you don't need to feel bad for being content and living a peaceful existence after putting this book down.

Powerful, thought provoking stuff, despite its content a highly enjoyable read and at under 200 pages not bloated, not rushed but perfectly paced. I give this book my highest recommendation. And shall finish with a transcription from the blurb on the front of my beautiful 1st edition Penguin:

An unusual and absorbing piece of science-fiction about the relentless transformation of England when the balance of nature is upset.

'The Death of Grass sticks with commendable perserverance to the surface of the earth we know...John Christopher has constructed an unusually dramatic and exciting tale.' DAILY MAIL




View all my book reviews

Wednesday, September 5, 2012

A Brief History of Dystopia

For today's post I welcome Michael from the excellent literary blog Literary Exploration to take us through a brief history of the dystopian genre.

It's worth noting that very few dystopian movies were written directly for the screen and were in fact based on classic pieces of literature.


Dystopian fiction has been around for a long time; interestingly enough, it was an offshoot of utopian fiction which started growing in popularity in the 1900’s. I’m a little surprised that utopian fiction seemed to be the predominate genre but if you look at the history of dystopian literature you can see why. The spikes in popularity seems to have started from the lead up to the world war two and the cold war and then as a result of 9/11 and the war on terror. Escapist fiction; as a way to substitute the problems with the world with a more nightmarish world.

I thought it might be nice to have a quick look at the genre over time and highlight some essential reads (which stick out to me) for people that haven’t experienced all the joys of this genre. While there were dystopian novels before my first choice, I thought I would start with the one book that may be called the first purely dystopian novel.

We by Yevgeny Zamyatin (1921)
A highly influential novel based on the authors experience of the two Russian revolutions (1905 and 1917) and the First World War. While this book is considered to be an influence for Aldous Huxley's Brave New World (1932), George Orwell’s Nineteen Eighty-Four (1949) or even Kurt Vonnegut’s Player Piano (1952), it’s one book that is unfortunately often overlooked.

Brave New World by Aldous Huxley (1932)
Huxley refers to this book a "negative utopia" and looks at the idea of the government making a world so perfect and controlled that it really has the opposite effect; or does it? Are you really unhappy if you don’t know you are unhappy?

Nineteen Eighty-Four by George Orwell (1949)
No dystopian list will be complete without this novel; actually these three novels could make up the definitive influences of every dystopian novel to follow. Big Brother is watching. Orwell writes a satirical novel of what he sees as the dangers of totalitarianism.

Fahrenheit 451 by Ray Bradbury (1953)
It’s a pleasure to burn; this novel looks at book burning, mass media censorship and the importance of books. Fahrenheit 451 is set in an unspecified time in a hedonistic anti-intellectual America.

Atlas Shrugged by Ayn Rand (1957)
Set in the not too distant future this brick of a book has a look at the disappearance of innovators and industrialists and a collapsing economy. I’m not going to lie, I’ve not read this book but I couldn’t give a list of essential dystopian novels without this book.

A Clockwork Orange by Anthony Burgess (1962)
In a culture of extreme youth rebellion and violence, how can the government gain back control? Mind control and the removal of free will seems like a good idea, right?

The Handmaid's Tale by Margaret Atwood (1985)
In this dystopian novel Atwood takes a look at a totalitarian society and the issue of woman’s rights within it. While I thought this was more like a social critique than a novel, it is still an essential read.

Never Let Me Go by Kazuo Ishiguro (2005)
Sheltered from the outside world these children were brought up to believe they are special and need to be protected, but they are only protected from the truth. This is more a book of love and friendship set in a dystopian environment.

Super Sad True Love Story by Gary Shteyngart (2010)
Super Sad True Love Story is a novel set in a very near future—oh; let’s say next Tuesday—where the world is dominated by Media and Retail. The story is centred on a thirty nine year old Russian immigrant, Lenny, and what could likely be the world’s last diary. The object of his affection, Eunice, has her side of the story told by a collection of e-mail correspondences on her "GlobalTeens" account.

If you look at this list you can see the changing of the dystopian genre; what started as satirical looks at the fears of the world gradually changed to lighter stories of love and friendships. This brings me to the rising popularity of Young Adult Dystopian fiction. This seems to deal less with the social aspects made famous in dystopian fiction and more about friendships and endless love triangles. The lack of freedom, obsessive governments or biological issues have been replaced with post-apocalyptic romances. Not that there is a problem with this new wave of dystopian fiction (I’ve read a few good ones), I just find that the books with more social aspects offer so much more than a good read. What are your thoughts and what would you call essential dystopian reading?

In addition to his blog Michael can be found on facebook, twitter and a whole bunch of other social networking sites.