The Week In Movies 18/7/11 - 24/7/11

A heavy week at the Revelation Perth International Film Festival has seen me watch 8 films, 5 of them at the cinema with full reviews (including those yet to come) so this should be a pretty quick roundup.


It seems like forever ago that we sat down to watch Marathon Man only to find out that the disc was faulty and watched Nic Cage winning an Oscar for drinking his life away in Leaving Las Vegas. It's been so long since he actually acted that it surprises people when I talk about how good Nic Cage is in this and that the Oscar was actually deserved. This is one of those films you shouldn't watch too often; it's terribly depressing, but fantastic. Once every few years however you should remind yourself how wonderful this Mike Figgis film is. Elizabeth Shue as the prostitute on her way to redemption probably gives her career best performance and Julian Sands makes a fun cameo not to forget Danny Huston's blink and you miss it film debut as a bartender but primarily this is all about the subtleties of Nic Cage. Yeah that is what I said.

A few months back we watched the lots of fun but flawed, Carla Gugino starring, Sebastian Gutierrez directed Elektra Luxx about the personal life of a porn star and her group of friends and then we found out there was a film about these characters already, Women in Trouble. So for a bit of light entertainment we settled in. These are not ground breaking movies, there's nothing new or particularly special about them but they're fun all the same with some enjoyable moments and good dialogue from characters you don't usually see in films. Infact one of my favourite characters of recent times, somebody who I could probably watch quite a lot more of, came from these movies; Adrianne Palicki as failing pornstar Holly Rocket. Adrianne Palicki is an extremely beautiful woman and she hardly ever wears much in the way of clothing but her character is so totally clueless and adorable it hardly matters. If you want to look below the surface of these films there's probably even a message and moral somewhere.

Now on to the Don Roos movie The Other Woman, a film which has also been known as Love and Other Impossible Pursuits, hence the two very different posters used, and starring Natalie Portman. I'm a fan of the movies of Don Roos. I saw The Opposite of Sex before any Woody Allen movie so the gimmick with Wednesday Addams breaking the fourth wall was an exciting new cinematic tool for me. Most people didn't enjoy Bounce if I remember correctly but I did and not just because of my guilty pleasure of watching Ben Affleck movies, and Happy Endings was a good, fun, low budget piece of cinema. None of the films are made in a similar style but there's some kind of charm that unites them which must be brought to them by the director. There's nothing particularly new about The Other Woman, we've all seen step-mothers trying to be liked by the child and hated by the ex-wife before but it does have a strong performance from Natalie Portman and Lisa Kudrow is her usual flawless self in this minor post-Friends role. Enjoyable but nothing amazing, but it has stayed with me all week.



I've already reviewed Charlie Casanova and Vacation! from The RPIFF but seen and with reviews forthcoming are Submarine, Small Town Murder Songs and Autoreiji.


A busy week, how bout you? Do you remember when Nic Cage wasn't a joke? As always I'd love to know what blah is filling your movie minds.

RPIFF: Vacation! (2010)

Zach Clark's follow up to his 2009 indie hit Modern Love Is Automatic was my must watch pick of the fortnight, to the extent of going to the cinema alone because everyone else was busy. I used to go to the cinema alone quite a lot, back when my enthusiasm for all forms of movie was fresh and needed to be fed constantly. I saw Independence Day three times at the cinema. Alone. It hardly happens any more, only in special circumstances. It's an odd feeling but one worth while in the case of some potentially great piece of cinema. You wouldn't find me going along to Transformers 3 with nobody for company (or at all actually, my feelings towards Bay are on record.) For Vacation! I was happy to make the exception.


The official blurb from the film makers made this sound very appealing to me: When four college friends reunite for a girls' week at the beach, it's all bikinis, piña coladas and dance parties at first. But the fun soon fades away... Sugar's got a thing for Dee-dee. Dee-dee's got a thing for a girl who's got a boyfriend. Donna's never made out with a girl, or done anything fun at all, ever. Lorelei's looking for some cheap thrills to help get over her ex. After procuring a psychotropic drug from a sketchy surfer dude, the girls take a very strange trip into the abyss. And that's when everything gets totally fucked. Bummer.

Zach Clark has been involved in mumblecore, a film making scene I am still yet to watch a movie from but the kind of realism that rocks my cinematic world if reports are true. I haven't even seen Modern Love Is Automatic so unlike all of the other reviews of this that I have read I cannot compare. What I can do is tell you that this is a movie of two halves. With a truly surreal intermission.

So there's four girls on holiday. All of them attractive in one way or another, spending most of their time in bikinis and getting drunk. They pass the time casually, not much happens. End of first half. They take some kind of drug (I assume to be acid,) they share the surreal nightmare trip. Something bad happens, one of them will not be going home, ever, they react to it in varying ways.

I couldn't help but enjoy the movie, they looked like they enjoyed themselves making it and that sense of fun comes across when watching. The dialogue is so real as we are treated to awkward conversations between people who have not much in common except shared college experiences and wonderfully natural lines such as "oh my god, I bought wigs," "fantastic, tell me more," "they're blonde" which made me giggle at the audacity of the film maker. The uncomfortable silences between the girls are even more realistic and true, it is these gaps in dialogue that accentuate what the movie is; a fun yet uncomfortable film about people and the way they relate to each other.

The cinematography from Daryl Pitman is superb, not just for a low budget film but for a film full stop, he uses vivid colours, a locked camera and a clean crisp use of light to highlight the overall feel of fresh playfulness and a tension that's slow to build to barely a simmer.

The music and sound design has gotten a lot of play, and rightly so, it is sufficiently hip when required and noticeably helps add to the sense of impending dread after one of the girls remarks that "things are only going to get worse."

Whilst the idea of four lesbian/bi-sexual girls drinking and having fun would ordinarily play in to male fantasies without even trying, I left Vacation! massively impressed with Zach Clark's direction and his restraint. The film studies concept of the camera gaze as male is largely thrown out of the window here as at no point did I get the sense that any of the proceedings were being eroticised, or the characters shown in an overtly sexual manner. Even the brief nudity and sexual behaviour is filmed so matter of factly that claims of misogyny would be flimsy at best.

Overall this is no Gregg Arraki, there's less plot, but it is a fun and impressive piece of low budget independent non-genre film making worth watching.

This is another one that's going to split audiences, plenty of people have disliked this movie, leave me some blah and let me know how you feel about it.